No Overflix. "The original was standard 8mm material that I'd shot in a village in Italy. The material had gone through a process of deterioration. I'd used it in performing and taken it through an old Russian slide projector. I took the lens out of this projector so I could pull the film strip through it, and that meant the image could be focused on different surfaces. Instead of the image falling onto a screen, I could direct it around the room with the lens in my hand. In the process it got very torn and scratched, and it was that material I eventually put in the contact printer and made into the 16mm film Frames." – Annabel Nicolson