No Overflix. Dark Trees starts with a view from a window in silhouette through which one sees a garden, tall trees, rooftops and the sea. This scene orientates the viewer, but we are quickly taken into an imaginary space offered by the trees, shot against a late evening sky. A floating camera and the dense superimposition of shots make for a scene that is now untethered. Towards the end we see the sun set over the sea; confirmation of the lyrical strain in much of Le Grice’s cinema.